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Don't Look, The Operator's On Fire

by Graham Reznick

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about

Don't Look, The Operator's On Fire

(Born 2001 - Died 2021)

Originally written shortly after 9/11; the east village, nyc.
New recording initiated shortly after the start of the pandemic; the valley, los angeles.


Martin D-10E Road Series Acoustic Guitar (Sapele)
Fender Squire Jazzmaster Class Vibe 60s Electric Guitar (Daphne Blue)
Fender Squier Affinity Precision Bass PJ Electric Bass (Black)
Zvex Fuzz Factory (Green, hand painted)
Gamechanger Audio Plasma Pedal (Black, Lightning Bolt)
Stone Deaf Tremotron Analog Tremolo (Orange Skull)
Source Audio Vertigo Tremolo (Yellow Green)
Wampler Tumnus Deluxe (Copper)
EHX Stereo Talking Machine (White, Black, Red)
EHX Bass Big Muff Pi (Green)
Saturnworks Cosmic Wah (Silver)
Eventide Timefactor Delay (Black, Blue)
MXR Analog Chorus (Blue)
MXR Phase 90 (Orange)
MXR 10 Band EQ (Silver)
Zildjian 5B Drum Sticks (Natural Wood)
Dunlop Tortex Standard .60mm Guitar Pick (Orange)
Dunlop Tortex Standard .73mm Guitar Pick (Yellow)
Pearl Vision Birch Snare Drum (Black)
Native Instruments Massive X (Circuit Board Green)
U-he Repro-1 (Circuit Board Green)
Arturia Matrix-12 V (Circuit Board Green)
Fender Super Champ XD Amplifier (Black)
Audio-Technica AT4033a Microphone (Black)
Ebow (Gray)
Jingle Bells (Shiny)

credits

released May 6, 2021

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all rights reserved

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about

Graham Reznick Los Angeles, California

Filmmaker,
Wordmaker,
Soundmaker, Musicmaker

Laconic
Expertise
In
Subconscious
Engineering

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